57 Royalty-Free Audio Tracks for "Plastic Percussion"

First upload. Recorded with zoom h4n. It's flax seed in an empty plastic spice container. It's a 16th note rhythm amd it loops perfectly at 130 bpm. It has some fairly subtle panning effects. Eight quarter notes long, but also works really well every 4 quarters, every three etc. I. E. When doubled and even tripled on itself in a sequencer.

Shaking a cereal to go in a plastic box. Wave, 44. 1khz, 24bit, stereorecording device: zoom h6 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: supermarket by the main campus of leuphana universitylat: 53. 22732597565696lon: 10. 401365160942078date: 2013-11-19, 16:30h. Recorded and edited by: julia rehfeldt. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

7 hits on a paddle fan. Still figuring out how to record this. Recorded on samson q2u - the mic was behind the drum surface, and it was struck by my finger lightly on the other side, while being held at a wooden handle. There's some light paint on the drum surface, which may be made of synthetic (plastic?) material, and the rim is wire. It was a gift - unsure of its origins or nature, but it sounds cool.

The idiophone is one of my homemade weird instrument. It consists of a series of self-made instruments that i am reassembling and sampling, with commercial intent just for the expenses, and if it works, i'll sample the whole kitchen. . Bah. . . We'll see. . For the moment it is the first (not the more interesting) made with bottle caps you can see it at this link: https://www. Mediafire. Com/view/7l50qyvrf8ssj6m/sam_0286. Jpg/filelet me know what you think about.

This is a series of sounds created for spitfire audio's make music day 2020 #spitfiremmd2020 it is a plastic drum, a springy pot rack and a big metal chip bin. There are both harmonic and enharmonic sounds here. The bin as a wonderful resonance and a lot of low end. This is a mono recording through a sennheiser 416 and an rme pre-amp. Enjoy!.

Clean, dry recording of a roughly half-filled metal can (the ribbed kind used for most canned food - probably steel, tin, or a blend of the two) containing dry oatmeal being shaken. A variety of forces and speeds were used to create a diverse assortment of sounds. Originally recorded specifically for canned oatmeal sounds, but could easily work for shaken cans containing most kinds of tiny, dry granules such as rice, nuts, grains, etc. A metal can was used for the unique, metallic timbre it produces - a glass jar or plastic container would sound different. Recorded with a behringer xm8500 directly into a steinberg ur22c interface at 48khz, 32-bit float. True 32-bit, not just 24-bit upconverted.

Este sonido es el de unas maracas de las que se utilizan en la parranda venezolana. La maraca es un instrumento musical de percusión, formado por un recipiente hueco elaborado a partir de un fruto leñoso o de material plástico, dentro del cual se introducen cuentas, y que se agita para marcar el compás. Este sonido fue grabado como parte de una entrevista realizada a rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "this sound is that of some maracas used in the venezuelan parranda. The maraca is a percussion musical instrument, formed by a hollow container made from a woody fruit or plastic material, into which beads are inserted, and which is stirred to mark the beat. This sound was recorded as part of an interview with rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized. " see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.